Arnold August Nobis, born in Vienna in 1977, is an Austrian contemporary artist whose multifaceted practice spans sculpture and painting, with a particular emphasis on abstract forms. His work navigates the complex interplay between natural elements, architectural influences, expansive environments, and the human figure, creating a dynamic tension that invites critical engagement.
Nobis' abstract painting is characterized by a layered approach, wherein the superimposition of various pictorial surfaces contributes to an illusory spatial depth that seems to transcend the physical limits of the canvas. This depth is further complicated by intricate, web-like structures that intertwine with organic forms, fostering a sense of complexity and interconnectivity. Despite the overarching abstraction, Nobis frequently embeds representational motifs that emerge through the reduction of detail and silhouette, encouraging viewers to explore the latent narratives and associations that underpin his compositions. This strategic interplay of abstraction and representation facilitates a familiar ground for interpretation, allowing for a diverse range of viewer responses.
Following his graduation from Pamplona Art School as an applied sculptor, Nobis established a spacious studio within a repurposed factory in Bilbao. It was here that he innovated his distinctive techniques, leading to his inaugural solo exhibition in Guernica. His early work is notable for its unconventional materials—incorporating elements such as sand, dust, coffee powder, and bitumen—that impart a tactile quality and conceptual depth. Currently based in Austria, he continues to engage with the international art community, showcasing his work in exhibitions worldwide.

©Alistair Fuller
The Influence of Family Background on Personal Development
Arnold August Nobis's formative years were deeply intertwined with art and classical music, which his family regarded as integral cultural pillars. They frequented museums and exhibitions, immersing themselves in the works of esteemed classical artists. Comic books generally faced disapproval, save for "Astérix le Gaulois" by René Goscinny and Albert Uderzo, which was considered a notable exception; other comics were categorized as nonproductive. At twelve, Nobis embarked on the ambitious project of creating his own comic book, crafting characters, story arcs, and engaging in graphic design and illustration over a span of more than a year, with the assistance of a friend for coloring the finished pages. This early venture established painting and drawing as central activities in his life.
Upon completing his secondary education, Nobis expressed an interest in pursuing a career in graphic design. However, his parents urged him to opt for more traditional professional pathways. As a result, he enrolled in law studies, subsequently shifting focus to water management and cultural engineering, though his academic performance was subpar. Despite the demands of his courses, he devoted significant time after lectures to painting and graphic design, hinting at an underlying commitment to his artistic pursuits.
In 1999, driven by a desire to fulfill his artistic aspirations, Nobis relocated to Spain, arriving with limited Spanish language proficiency. By spring 2000, he had acquired enough language skills to enroll in the applied sculpture program at the Escuela de Artes de Pamplona. Initially concentrated on graphics and painting, a visit to the Escuela inspired him to broaden his artistic practice. Following his graduation in applied sculpture, Nobis moved to Bilbao, where he enrolled in the Faculty of Fine Arts. He participated in oil painting classes and secured a factory hall to establish a dedicated studio for concentrated artistic exploration. During this period, he prepared for his inaugural solo exhibition in Guernica and began to experiment with a diverse array of materials and techniques, laying the groundwork for his evolving practice as an artist.
Personal Artistic Development Through Influential Artists
Arnold August Nobis has engaged deeply with applied sculpture in the Basque Country, which has profoundly shaped his artistic approach. He is particularly influenced by Jorge Oteiza's notion of interior space as the fundamental essence of sculpture. This concept can be exemplified by the technique of encasing a bale of straw in heavy iron wire and subsequently subjecting it to fire; the result is the iron that retains the impressions of the straw form. Within this exploration, the focus shifts to the spatial volumes that the wire delineates, positing that the occupied space itself can be perceived as a sculptural entity.
In his paintings, Nobis translates this principle into multi-layered compositions on the canvas that evoke a profound spatial depth for the observer. This depth seems to unfold either into an infinite expanse or to the canvas's periphery. He further elaborates on this dimensionality by incorporating silhouettes that transform these depths into recognizable objects. From a distance, the viewer may identify these shapes as distinct forms—perhaps reminiscent of a head or an urban landscape—while a closer inspection reveals a more complex interplay of elements akin to looking through a window into a space that transcends the physical boundaries of the canvas.
Nobis draws from a rich tapestry of artistic lineage, citing figures such as Van Gogh, Monet, Kandinsky, Picasso, Pollock, Klimt, Mondrian, and Basquiat, each contributing unique stylistic elements to his practice. Moreover, he acknowledges the significant impact of comic artists René Goscinny and Albert Uderzo on his artistic evolution.

El Fa, El Fafa...
The Impact of Medium on Artistic Expression
Arnold August Nobis has a rich artistic history characterized by his innovative use of materials, notably a blend of coffee powder and bitumen, which has played a significant role in shaping his early works. These unconventional elements allowed him to explore unique textures and visual effects within his artwork. However, as Nobis has evolved as an artist, he has begun to shift his focus away from these traditional materials in favor of more contemporary mediums.
Currently, he predominantly utilizes acrylic paint, which offers a versatility and vibrancy that aligns with his growing artistic vision. Over time, he has honed a specialized technique that enables him to achieve remarkable depths and intricacies in his compositions. This method allows for layered application and manipulation of the acrylic, resulting in stunning painterly effects that draw the viewer into the dimensionality of his work. As he continues to refine his practice, Nobis remains committed to exploring new dimensions within his art, pushing the boundaries of acrylic painting to create captivating visual narratives.
The Inspiration
Arnold August Nobis posits that individuals in search of conscious inspiration may benefit from immersing themselves in either picturesque or wild, untamed natural settings. These environments can range from ethereal mountain peaks enveloped in mist to dense forests, tempestuous coastal areas, and serene meadows. Such natural landscapes serve as potent stimuli for visual perception, enhancing the sensory experience.
Conversely, urban environments present a rich tapestry of stimuli, characterized by modern architectural forms, vibrant nightlife, atmospheric rain-soaked cobblestone streets during winter, and the imposing presence of skyscrapers. Furthermore, Nobis highlights the human body as an important subject for ongoing exploration, suggesting it offers a multitude of aesthetic and experiential dimensions that merit deeper investigation.

©Alistair Fuller
Art as a Medium for Social Change
In the view of Arnold August Nobis, art is not merely an embellishment of life but a fundamental element of the human experience, deeply rooted in the very beginnings of civilization. From the earliest artifacts—such as ritualistic objects and grave goods—we can identify an inherent artistic essence, which underscores a core human inclination towards aesthetics and expression. These initial creations reveal that the drive to create and appreciate art is as old as humanity itself, suggesting that art plays a critical role in shaping cultural identity and communal values.
However, attempting to define the role of art in today’s society presents a multifaceted challenge. In our contemporary landscape, art serves as a refuge for many, offering a sanctuary where individuals can find solace amid the chaos and uncertainty of modern life. Engaging with contemporary art—whether through visits to galleries or participation in interactive installations—encourages introspection and self-reflection. It allows individuals to confront their thoughts and emotions, facilitating a more profound understanding of themselves and their place in the world.
This duality of art positions it not only as a mirror reflecting societal issues, values, and aspirations but also as a sanctuary for personal exploration and growth. Through its capacity to provoke thought and inspire dialogue, art nurtures an environment for ongoing intellectual discourse within our dynamic cultural framework. Certain exhibitions, in particular, highlight works that exude a compelling energy and presence, inviting viewers to delve deeper into the intricacies of the creative process. By showcasing diverse perspectives and innovative techniques, these exhibitions cultivate a richer appreciation for the complexity of artistic expression.
Moreover, the introduction of groundbreaking concepts is vital for both societal advancement and individual intellectual development. As artists challenge conventional boundaries and offer fresh stimuli, they provoke critical thinking and inspire new ways of understanding the world. This dynamic interplay between art and society contributes to a conceptual manifesto that reflects the continuous evolution of humanity, revealing how art remains a pivotal medium through which we can explore, question, and celebrate our shared experiences.
The Evolution of Success in an Artist’s Career
A Lifelong Journey
The artistic journey is characterized by a spectrum of both achievements and hurdles. Arnold August Nobis evaluates success through various metrics, including participation in exhibitions and the sale of his artworks. A particularly intriguing episode in his career was his role as a stone sculptor for the gravestone of acclaimed actor Sir Alec Guinness, renowned for his iconic portrayal of Obi-Wan Kenobi in the Star Wars series. While the task may not be regarded as a pinnacle of artistic accomplishment within traditional criteria, it offers a captivating narrative about the intersection of art and cultural heritage.
Moreover, a tangible indicator of artistic progress is the artist's continuous personal development, encompassing the honing of technical skills and the distillation of artistic concepts through sustained dedication and methodical practice. This ongoing evolution is essential for deepening one's craft and advancing the overall quality of artistic output.
The Influence of Artistic Skills on Problem-Solving Abilities
Arnold August Nobis presents the intriguing notion that art serves as a catalytic force in society, driven by deep-seated passion and an immersive engagement with the wide array of experiences that life presents. This vibrant energy enables artists to transform their intense emotions and reflections into tangible forms of expression, ultimately making their creative outputs accessible to a much broader audience.
The motivation to create can unlock a profound reservoir of energy, pushing the artist to delve beyond the ordinary boundaries of everyday existence. In this process, art emerges not merely as a product but as a powerful vehicle for exploration and communication of the human condition. Furthermore, when considering the myriad disciplines within the art world—be it painting, sculpture, music, literature, or performance—it becomes evident that art can be interpreted as life-enhancing metaphors. These metaphors serve to enrich our understanding of daily struggles, offering fresh perspectives and alternative frameworks through which we can navigate and comprehend complex challenges. In this light, art does not simply reflect our experiences; it actively shapes and transforms them, fostering deeper insights into our shared humanity and the intricacies of life itself.
The Role of Practice in Developing Artistic Skills
From an artisanal perspective, painter Arnold August Nobis actively explores the evolution of techniques while innovating visual paradigms that aim for clarity and resonance with the viewer. This dynamic interplay of abstraction between the artwork and the observer is virtually limitless in its potential for exploration. The historical context of Cubism exemplifies this principle, showcasing the multifaceted relationship between form and perception.
Furthermore, it is suggested that the refinement of artistic proficiency is intrinsically linked to an ongoing engagement with societal and environmental contexts, coupled with an introspective examination of nuanced internal sensations. This engagement facilitates the articulation of complex ideas and emotions through artistic practice. The creative process is characterized by a fluid generation of ideas, which is subsequently subject to alignment and critical reflection during the contemplation of the work. A piece attains a state of harmony following rigorous evaluative processes and critical scrutiny.

©Alistair Fuller
The Impact of Visual Art on Social Movements
The 2004 confrontation between coffee powder and bitumen serves as a provocative exploration of climate change, a topic that has gained substantial traction in contemporary discourse. In this conceptual framework, coffee embodies the agency of humanity, while bitumen represents the mechanization of society. Arnold August Nobis’s work reflects a profound interest in the interplay between human progress and technological evolution, a theme he sought to weave into his artistic narrative. At that juncture, society had not yet fully grappled with the urgency of climate issues, which makes this exploration particularly poignant.
An exhibition presentation led to a misinterpretation of bitumen’s role, mistakenly seen as an endorsement of oil production rather than a critique. This incident underscores the vital importance of contextual awareness and interpretive vigilance in art, as misunderstandings can easily distort an artist's intent.
Art plays a multiplicity of roles in relation to societal dynamics; it can serve as a lens of observation, a mode of critique, or even a deliberate avoidance of pressing social concerns. Artists possess a unique capacity to mirror the complexities of the societies in which they operate.
During my tenure as a high school instructor specializing in graphics, painting, and sculpture, I observed that art provides a critical avenue for engaging with profound subjects—such as mortality, sexuality, war, violence, and power structures—that are frequently overlooked in traditional curricula. The medium of art facilitates nuanced exploration and discourse regarding these significant themes, enriching the educational landscape.
Art Industry
Arnold August Nobis argues that the contemporary landscape of digitization poses significant challenges for artists while simultaneously providing a wealth of opportunities. In today’s environment, artists are not only tasked with honing their craft and managing the logistical elements of their work but are also compelled to navigate data management, formulate marketing strategies, and create digital presentations. This extensive portfolio of responsibilities can be quite time-intensive.
Moreover, the necessity for original artwork to be physically transported globally has diminished, allowing audiences to engage with art digitally. However, this shift raises concerns regarding the potential diminishment of expressiveness; audiences often interact with artworks primarily through visual and intellectual contexts on screens. The subtleties and intricate details of an original piece are often best appreciated in person, which remains the preferred exhibition format for many artists.
The logistics of exhibiting visual art echo the complexities found in the touring of musical acts, encompassing essential factors such as storage, transportation, and overall management. While the accessibility of visual art via the World Wide Web significantly broadens audience engagement—a noteworthy advantage—it also necessitates a reevaluation of how artistic expression is preserved and appreciated in a digital format.
The Dichotomy of Commercial Success and Artistic Integrity in Professional Art
Arnold August Nobis underscores the profound significance of the moment when a new canvas is stretched onto its frame. This act is not merely a preparatory step; rather, it embodies a sense of anticipation and excitement that marks the beginning of the creative process. As the canvas is secured, it symbolizes the boundless potential that awaits the first stroke of paint. This initial phase is imbued with a sense of inspiration and possibility, setting the stage for the artistic journey ahead.
In contrast to this exhilarating moment, Nobis finds the more logistical aspects of his artistic practice to be considerably less invigorating. Tasks such as packing artworks for transport, ensuring their protection during storage, and managing the intricacies of logistics are perceived as labor-intensive and demanding. These responsibilities often overshadow the creative aspects of his work, highlighting a tension between the joy of creation and the burdensome nature of the necessary preparations that art requires. The dichotomy between the excitement of beginning a new piece and the rigorous demands of managing the physical aspects of his art captures the complexity of the artist's experience.
The Influence of Critics on Artistic Reputation
Three collectors testimonials:
Very early in Arnold Nobis’ career, I had the opportunity to acquire three similar looking paintings.
The blue he uses in these works fascinates me. The strong contrast to the other colors he uses in
these works are created in a way that they do not cancel each other out. A second, more delicate
painting hangs in my bedroom, and every time I lie down and read, I can lose myself in these
surfaces and levels that present themselves to me again and again. The things I see change every
time I look at it…
I have been following his work, and I like many of the new paintings. A lot.
Unfortunately, I don't have the financial backing, but I know what I'm saving for. The only thing
missing is the right wall for it... In my daughter's room hangs another picture, and after living with it
for two years until now, she finds the following words: "It's a beautiful picture. I never get bored of
looking at it. Since it is very abstract, I always discover new things and levels. When I move out
later, I would like to take it with me"
- S. Kneucker, Collector
Together with my wife we are the lucky owners of five of Arnold Nobis’ works. The paintings are
displayed in our home and we wouldn’t want to miss a single one of them. One of the paintings,
exclusively in black and white and deep through its simplicity of form, greets visitors upon
entering. The other paintings, more colorful and, perhaps, dramatic, never seize to impress our
guests.
The one thing preventing us from acquiring more of Nobis’ paintings is the lack of wall space in
our home. After all, we love looking at his paintings and would hate to just store them without
being able to look and study them every day. Even though we must have looked at each of Nobis’
paintings we own thousands of times, they never cease to reveal something new. Sometimes it is
a minor detail regarding form, color or texture, sometimes it is a major new way of interpreting the
painting altogether.
- R. Kogler, Collector
In our house, we are delighted to have three paintings by Arnold Nobis:
The "Quadratschädel" in the recording studio, my workspace, which reminds me of (irrational)
artistic freedom while working creatively. The many fine and sharp lines that merge together into a
soft outline of a bust with a graduation cap are fascinating.
In the bedroom, a painting that could depict the Big Bang with its concentric circles, gracing us
with a touch of gentle ocean waves through its delicate blue tones.
And actually, in the hallway, there’s a painting from the "Spanish phase," where soft, hieroglyphic
like white symbols come together to form a whole, surrounded by delicious brown and black
coffee tones.
… "Actually" because it has been adorning the wall of our 19-year-old son's room for the past two
years. :)
Thank you, Arnold, for your wonderful artworks!
- M. Schallmayer, Collector -

©Alistair Fuller
The Impact of Medium on Artwork Pricing
The valuation of artworks by Arnold August Nobis is driven by several pivotal factors, each playing a significant role in determining the market price of his pieces.
Firstly, the labor intensity and scale of a work are fundamental elements that greatly impact its valuation. Large-scale works that require extensive time, effort, and skill to complete are often perceived as more valuable due to the commitment and artistry involved. This aspect of artistry showcases not just the physical dimensions, but also the emotional and intellectual investment from the artist, which collectors are often keen to recognize and reward.
Furthermore, participation in competitive exhibitions and prestigious international showcases can substantially elevate the market value of Nobis's artworks. These platforms offer artists the opportunity to gain visibility among critical audiences, including collectors, art critics, and curators, ultimately enhancing the prestige of the pieces exhibited. Successfully being showcased in such environments can lead to stronger demand and higher prices.
Provenance, or the history of ownership and display of an artwork, is another essential factor in its valuation. Art pieces that have traveled to various high-profile venues or have been part of celebrated collections tend to carry a sense of prestige and authenticity. This visibility not only enhances the narrative surrounding the artwork but can also significantly influence potential buyers’ perceptions, leading them to ascribe a greater value due to the piece’s recognized history.
Lastly, the intrinsic personal value attributed to a work by collectors or connoisseurs adds another layer to its overall valuation. Individual collectors may have their own emotional connections or aesthetic preferences that influence how much they are willing to invest in a piece. This subjective valuation can lead to fluctuations in price that are less about market trends and more about personal significance and appreciation for Nobis’s artistic vision.
In summary, the interplay of labor intensity, exhibition participation, provenance, and personal value create a complex and dynamic framework that shapes the valuation of the artworks by Arnold August Nobis. Each of these factors contributes to the overall desirability and price of the pieces in the art market.
The Overarching Aspirations for an Artist
An upcoming exhibition at the renowned Tate Modern in London stands poised to mark a significant milestone in the ongoing discourse surrounding contemporary art. This venue, known for its innovative approach and commitment to showcasing cutting-edge artistic practices, provides an ideal platform for dialogue and exploration of current themes and trends within the art world. Furthermore, envisioning a spacious studio that overlooks the vast expanse of the sea would present an invigorating and inspiring environment, perfectly suited for nurturing the creative process. Such a setting, enriched by the natural beauty of the landscape, could foster innovation and encourage artists to explore new ideas and forms.
There exists immense potential for enhancement across various domains within the arts, particularly in addressing the skills and knowledge gaps that many emerging artists face today. If Arnold August Nobis were to secure adequate funding, he could establish a comprehensive art school dedicated not only to the preservation of fine arts but also to its vibrant evolution. This institution could serve as a beacon for aspiring artists, focusing on cultivating essential craftsmanship skills that form the foundation of artistic excellence.
The curriculum would emphasize an interdisciplinary approach to artistic education, encouraging students to draw connections between various forms of art and other fields of study. This holistic model would enable learners to engage deeply with historical artistic values and techniques, while simultaneously integrating contemporary themes that resonate with the ever-evolving expressions of human experience. By bridging the past and present, the art school would empower students to develop a nuanced understanding of their craft, ultimately fostering a new generation of artists capable of pushing boundaries and redefining the landscape of modern art.
The Role of Self-Care in Artistic Productivity
Arnold August Nobis proposes that an artist's identity is not a static entity but rather an evolving journey that intricately intertwines artistic practice, professional obligations, and personal experiences. This deep-seated passion for art is a powerful force that cannot easily be suppressed; it often surfaces as bursts of inspiration that the artist captures in the moment. These ideas frequently lead to immediate notes or sketches that the artist saves for future exploration and refinement.
However, Nobis underscores the importance of distinguishing between the spontaneous generation of creative concepts and the structured execution of the artistic process. While the initial spark of creativity can ignite rapidly and impulsively, transforming raw inspiration into a completed work of art requires careful preparation and thoughtful planning. This methodical approach not only enhances the artist's ability to synthesize their various ideas but also ensures that the final product is cohesive and effectively communicates the intended message or emotion. Through this lens, Nobis illustrates that the path of an artist is a dynamic interplay of creativity and discipline, requiring both intuitive insight and a rigorous, strategic methodology to truly bring artistic visions to life.

©Alistair Fuller
Arnold August Nobis's Message To Other Artists
"I think the most important thing is to develop your own unmistakable style and never lose the joy
and enthusiasm for your work. So have fun, take it seriously, work hard, and express through art
what perhaps cannot be conveyed by any other medium.
As an artist, one should be interested in the world that surrounds us and in people. At the same
time, one should be skilled, serious, and yet not lose the lightness and humor.
I recently read a quote, though I can't remember who it's from: "Art is a game—an artist is
someone who takes this game seriously."
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