In the series, Heads, I returned to the Women as subjects exploring further the themes of abstraction of form first explored in the Bodies series. The Heads are studies of the effect of movement, abstraction and distortion on the faces of the Women. With the Heads, as with other works I work directly and rapidly, forming the image with an immediate yet ordered chance of brush strokes. This immediacy of brush stroke represents and mirrors the actual disintegration of flesh and features and gives the works an undiluted purity; like the first brush stroke on a blank wall
